MARGARET FIELD, SOPRANO
PRESS NOTICES
"...
the splendid Margaret Field." -
Sunday Times
"AHEAD
OF THE FIELD" - "I have had the good fortune of hearing most of the
finest singers of my time, but none possesses a more beautiful voice than last
night's soprano soloist Margaret Field.
Her singing of items from Schumann's Myrthen was absolutely gorgeous,
her diction impeccable and she characterised the songs perfectly.
Equally satisfying were her Wolf items and her vocalising in the Turina songs
was quite sumptuous ..." - Sheffield Star
"...
this golden-voiced Australian soprano ..." -
Sheffield Morning Telegraph
"...
a tremendous part for solo soprano sung with eloquence
and accuracy by Margaret Field."
- Guardian
"Margaret Field's recital of Cabaret Songs....was a
highlight of the (Huddersfield Contemporary
Music) Festival." -Music and Musicians.
"From
the decadence of the ripely-sung "Columbine" to the cool fervour of
"The Waiting Moon", Miss Field blended technical expertise with
emotional sympathy in an expressive and expansive reading." -
Yorkshire Post
"... soprano Margaret
Field moving from style to style with aplomb."
- The Scotsman
"Margaret Field....is a brilliant soprano, attractive
and lively in all she does." - Yorkshire Post
"...
the musical high-points were songs of Rakhmaninov and
the Blok settings of Shostakovich, whose expression was beautifully judged by Margaret Field". - Classical
Music
"Tippett's
song-cycle The Heart's Assurance was interpreted with skill, imagination and
sensitivity by the soprano Margaret Field
and pianist Sally Mays." - The Guardian
"...
thoughtful string-playing, a fitting prelude to the
singing of soprano Margaret Field in
the closing Vision of Heaven (Fourth Symphony). Hers is a voice of heart
and warmth, mellow and yet capable of matching the caprices
of Mahler's scoring. It would be hard to imagine a better end to a
superb concert." - The Australian
"...
the resplendently stratospheric Margaret
Field." (Patterson: Te Deum) - Birmingham Post
"Margaret Field ... gave us a positively exquisite
Ihr habt nun Traurigkeit. Indeed it was Miss Field who was to ultimately
provide the overwhelming highlight of the evening as the soprano soloist in
Poulenc's jolly, strikingly original setting of the Gloria. This was
glorious singing, by turn sublime and ethereal, and always full of characterful
phrasing." - Yorkshire
Post
MARGARET
FIELD - SOPRANO OF THE HIGHEST CLASS. ....Margaret
Field, the soloist of the evening, proved to be a soprano of
the highest class ....The result was not only the best performance of the
evening, it was also a profound and, above all, a personal interpretation of
Strauss, in which Margaret Field's
noble-sounding soprano was used handsomely to just the right effect.
Above all the performance was a fitting tribute to the glorious music of
Strauss. (Vier Letzte Lieder).
- Turun Sanomat, Finland (translated by Erkki Arni)
Gorecki's
3rd Symphony:- "Before the Scottish premiere of the symphony on Tuesday,
we were told from the platform that Gorecki had sent a message of goodwill to
the performers - most notably Margaret Field,
the soprano he declared to be his favourite in the work. I believe he
would have been delighted with the performance." (See PLATFORM ANNOUNCEMENT below) -
The Scotsman
"...
and soprano Margaret Field sang
movingly with a creamy, soft opulence. A spellbinding
experience." - Glasgow
Herald
"The
most important participant in the symphony is the performer of the vocal part.
It is often the case that it is precisely the singer who fails to match
the level of the music and the musicians accompanying her, especially when
opera singers tackle Mahler or Berg, seeming to see no further than the notes
of the music. For Margaret Field
they were not just notes, but music through which the notes were experienced.
Unity of feeling and the highest technical mastery were shown to be the
guarantee of a successful performance." Vesti,
Jerusalem
(translated from the Russian)
"Margaret Field deserved special compliments.
Her performance was marvellous, marvellous, marvellous.
The length of the breath she needed for the piece was not only technical;
her excellent control, perfect intonation and colourful voice gave her the
possibility to blend with the orchestra and not to be swallowed by it.
This was yet more evidence of her technical and artistic greatness." -
Jerusalem
newspaper (translated from the Hebrew by Sara Raz)
"Her
warm voice caused the audience to tremble" -
another Jerusalem
paper, translator as above
"Margaret Field's performance was very exciting and
perfect in all aspects of voice and music. It was one of the best and
most fascinating music experiences this season."
- and another
"Sperber's
reading was outstanding and so was soprano Margaret
Field, whose vocal beauty and deep involvement contributed
decisively to the great success." - Jerusalem Post
"Sheer delight from start to
finish."-Musicweb Classical CD Reviews (CD: A Garland of Roses)
PLATFORM ANNOUNCEMENT BY THE HALL MANAGER
PRIOR TO THE SCOTTISH PREMIERE AT THE GLASGOW ROYAL CONCERT HALL (ROYAL
NATIONAL SCOTTISH ORCHESTRA):- "Mr Gorecki has just
telephoned from Poland and asked me first of all to thank you for being the
audience at this, the Scottish premiere, and secondly to pass on his good
wishes to Margaret Field who, in his
words, would always be his first choice for the work."
SONGBIRD
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